Re-Recording Mixing

Skywalker Sound has six feature mixing stages, a scoring stage, two Foley stages, and an ADR stage at the Ranch staffed by a pool of over 35 Re-recording mixers. Alternatively, if you are interested in mixing in Los Angeles, we have relationships with a number of studios where we can four-wall stages.

SOUND DESIGN & EDITORIAL

Sound and storytelling go hand in hand. Sound helps to create atmosphere, elicit emotion, and set tone. The Sound Designers and Editors at Skywalker Sound are not only able to team with filmmakers to create an impeccable track, but are also able to tell a story that would otherwise be difficult to tell with picture alone.

MUSIC AND SCORING

Skywalker Sound’s Scoring Stage main room measures 60 feet by 80 feet with a 30 foot ceiling and can easily accommodate a 125-piece symphony orchestra yet is flexible enough to provide an intimate recording environment for a solo performer. The main room features an adjustable acoustic system which allows the reverb time to be varied from .6 to 3 seconds. Three isolation booths, measuring 16 x 16 long with 12-foot ceilings, are located at the end of the main room opposite the control room; a fourth isolation booth is located directly off of the control room. All the rooms are extensively equipped with audio, video, SMPTE and MIDI tie lines. Control Room size is 26’ wide by 23’ long. Premium mic/line cables are also available running directly from the stage to the control room for use with outboard mic pre-amps. A large, private lounge is located next to the studio.

Our Recording and Scoring department is headed by Leslie Ann Jones, Recording/Mixing Engineer, Music Producer and Dann Thompson, staff Recording Engineer.

Click here for a complete list of services and equipment.

Click here for a drawing of the Scoring Stage.

COMMERCIALS

Skywalker Sound brings over three decades of feature film experience to Commercial projects, offering sound design, editorial, and mixing services for a full post-production package.